How can we screen trauma? This question might lead the perception of documentary movies about atrocities in the 20th and 21st centuries, like S21 The Khmer Rouge Killing Machine (Rithy Panh, CAMB/FR 2003) about Cambodia, The Look of Silence (Joshua Oppenheimer, ID/DK 2014) about Indonesia or Das radikal Böse about Nazi-Europe. The first concern emerge as we watch movies on atrocities is whether these artistic representations perhaps guide the public away from what "really happened". There certainly is a huge gap between, on the one hand, the immediate experience of the event that lies behind the interpretative screening and, on the other hand, watching the director's material while neither part nor ever having been part of the event.
Serie / Reihe: JRFM
Personen: Bakker, Freek L. (Hg)
SO 5.00-81-06
Bakker, Freek L. (Hg):
Trauma, Memory and Religion - Ausgabe 2018 04/01/[2018] / Freek Bakker and Lucien van Liere (eds.). - 2018 04/01. - Marburg : Schüren, licensed under Creative Commons CC BY-NC, 2018. - 124 Seiten : Fotos ; 21 cm. - (JRFM; 2018 04/01)
ISBN 978-3-7410-0068-3 kartoniert : EUR 16.90
Sozialwissenschaften; Medien der Massenkommunikation; JRFM Journal Religion Film Media - Zeitschriftenheft